KL118

KUALA LUMPUR: The KL118 skyscraper project, also known as Menara Wawasan, is ongoing, according to UEM Group Bhd chairman Tan Sri Ahmad Tajuddin Ali.

“We have started it and now it’s in the finalisation of design stage. The original plan is to complete by 2020, but to me it’s too early to say whether we are going to be able to be on schedule because there are some detailings going on,” he said here yesterday.

“But I am sure the team would do its best to meet the deadline,” he told Bernama on the sidelines of UEM Group’s Hari Raya open house here yesterday. 

The major construction contract worth about RM3.4bil was awarded by Permodalan Nasional Bhd (PNB) to the joint venture between UEM Group and South Korea’s Samsung C and T last year.

Samsung C and T was reported to have had experience participating in the building of skyscrapers, which include the Petronas Twin Towers and Burj Khalifa in Dubai, which is currently the tallest building in the world at 828 m.

PNB, via its wholly-owned subsidiary, PNB Merdeka Ventures Sdn Bhd, is the owner of the tower located within the enclave of Merdeka Stadium and Stadium Negara.

The KL118 Tower, which would be the tallest building in the country, is among the remaining major construction projects managed by UEM Group, placed under UEM Builders Bhd.

The tower is planned to be over 500 ms tall and will surpass the 452-m Petronas Twin Towers, and is slated to become a new landmark in Kuala Lumpur city centre. It was reportedly said to generate a gross development value of more than RM6bil over five years.

Ahmad Tajuddin said UEM Group is at the moment on a reorientation mode of moving away from undertaking construction to become a project developer and it was also considering to be involved in concession business. – Bernama

Penang's Top 13 Skyscrapers

Out of the 13 tallest buildings in Penang, 8 of them are residential apartments.

 

Gurney Drive Skyline

China Zun Tower

China Zun Tower will be the flagship building of Beijing’s comprehensively planned 30-hectare central business district core.
The tower’s gently rising and curving form resembles an ancient Chinese ceremonial vessel, called the “zun.” The design concept is that of a transforming shell that gradually bends to create a dramatic form. This concept is also applied to other key elements of the tower, including the entrances, ground-floor lobby, and observation deck. At the base, the tower thrusts into the ground with massive corner supports, while the exterior shell is gently lifted up and stretched forward at the four sides. The design physically extends the lobby outward, forming dynamic drop-off spaces. At the top, the exterior envelope becomes more transparent at the observation deck and allows more visibility to the inner trumpet-shaped business center, which lights up at night, forming a beacon that will be visible throughout the city.
Compared to a typically straight or tapering supertall tower form, the concave tower profile offers more valuable prime-floor spaces and ample space for window washing, as well as other support systems, at the top of the tower. While the large top poses significant structural challenges, the larger base provides an opportunity for structural balance, formal contrast, and preferred core-to-perimeter distances.
In a city with the highest seismic fortification requirement of the major cities in China, the structural system was particularly sensitive to adjustments in the complex form of the building. Architects and engineers utilized parametric modeling to greatly expedite the design and coordination process to ensure that the design achieved both an iconic form and a solid structural system.

Source: The Skyscraper Center

Urban Residences In Penang

This place was once occupied by squatters. Few have ventured into the interior of the urban villages except for those who resides there. It was also thought to be the place where most local gangsters live.

However, due to the ever increasing demand of housing where every square foot of land is as precious as gold, the only solution to the population explosion is to build up.

 

Zhengzhou Greenland Plaza - The Modern Pagoda

From the architect. The Skidmore Owings & Merrill LLP (SOM)-designed Zhengzhou Greenland Plaza has opened its doors to its office users. The circular 60-story tower takes its place as the tallest building in the central Chinese city. Located in the northeast portion of Zhengzhou, the 919-feet (280-meter) tall tower’s circular form is a response to the surrounding development’s shape that centers on a manmade lake. Zhengzhou Greenland Plaza punctuates the neighborhood and provides the area—and the city—with an iconic new landmark on the skyline. 

The 2.59-million-square-feet (240,169-square-meters) building houses a mixed-use program of offices on its lower floors and a 416-key hotel above. Daylighting was a key driver of the building’s design. Sophisticated three- to five-story-tall light-gauge painted aluminum screens are configured at an outward cant that enhances interior daylighting through scientifically calculated reflections while protecting the all-glass exterior from solar gain. The screens provide multiple performance and aesthetic-related roles. The same outward cant that aids daylighting allows for a nuanced approach to artificial lighting, providing outboard locations for dramatic nighttime lighting of the building that make the tower a beacon. The screens are located between one and two-meters from the building’s curtain wall—allowing window washing to occur behind the screens. Their visual porosity varies depending on a viewer’s location. When close to the building’s base, the tower appears to be primarily metal; from a distance, the panels are more open and the building’s glass nature is revealed. The rhythmic cant of the screens, combined with their decreasing size as they rise on the building, creates a dynamic movement that gives the building a fine-grained texture that relates to the building’s humanistic aspirations. 

The form of the tower tapers slightly as it rises. “We conceived the building as a classical column,” SOM Design Director Ross Wimer says. “Its iconic image comes from this timeless form—adapted with cutting-edge, 21st century technologies to create a building that expresses our time.” These innovations include a heliostat that crowns the building and reflects daylight throughout the hotel atrium. “Like the solar screening, the heliostat is a scientifically-derived element that enhances the experience of daylight for the building’s users,” Wimer says. The device allows daylight to be reflected and focused into the atrium whose surfaces are finished to help drive light deep into the space. Computer-controlled dimmer switches modulate the light level-based on the illumination provided by the reflector, enabling the atrium to consume less energy and generate less heat throughout the year. 

Wimer notes that, while not unheard of, circular skyscrapers remain somewhat unusual. Among the best known examples are Bertrand Goldberg’s Marina City (179 meters) in Chicago, Sir Norman Foster’s 30 St. Mary Axe (180 meters) in London, Jean Nouvel’s Torre Agbar (145 meters) in Barcelona, and Adolf Loos’ unbuilt scheme for the Chicago Tribune Tower. 

Zhengzhou Greenland Plaza’s status as the tallest building in the city adds to SOM’s well-established legacy of tall buildings. SOM-designed buildings top the skylines of many cities worldwide, including Chicago, New York, Beijing, Kuwait City, Milwaukee, and Dubai—whose Burj Khalifa is the tallest structure in the world.  Zhengzhou is a prefecture-level city located on the south bank of the Yellow River and the capital of Henan province with 8.6 million residents. Greater Zhengzhou was recently named one of China’s 13 emerging megacities by the Economist Intelligence Unit. 

SOM secured the commission for the project by winning an international competition. Prior to its completion, Zhengzhou Greenland Plaza has already been honored for its design by the Asia Pacific Property Awards and the Chicago Athenaeum. Its innovative curtain wall was recognized by Architect magazine’s R+D Awards program.

Source: Archdaily 

Zhengzhou Greenland Plaza is built with the latest technology available today and yet it resembles the ancient pagodas of China. Its form is truly inspired by China's long history of culture and architecture. The influence of Chinese architecture may not be admitted by the architect but the end result is too obvious for one to ignore its resemblance to ancient icons all over China. 

The site is simply picturesque thanks to the central lake that seems to bring all the buildings towards it. This type of design planning with architecture and landscape complementing each other can easily be traced back to the ancient gardens and parks all around China.

Shanghai Tower

Construction of Shanghai Tower has been completed. Design by architecture firm Gensler, it is now China's tallest building and the second-tallest building in the world.

Located in Shanghai's burgeoning Lujiazui financial district, the 632-metre-high skyscraper is 31 metres taller than the previous title holder, the Makkah Royal Clock Tower in Mecca.

The Burj Khalifa in Dubai remains the world's tallest building at 828 metres high.

Shanghai Tower was designed with a curved and twisted form generated through a series of wind-tunnel tests. The unique form is expected to reduce wind load by as much as 24 per cent during typhoons.

It comprises 121 storeys, divided into nine vertical zones that include shops at the base, offices in the centre, and hotels, cultural facilities and observation decks at the top.

Each zone is organised around one of several "sky lobbies" – plant-filled atriums filled with natural light, designed to mimic the social environments traditionally created in town plazas and courtyards.

Shanghai Tower dwarfs other two equally magnificent skyscrapers namely Shanghai World Financial Centre and the Jin Mao Tower. 

Construction of the skyscraper was completed at the end of 2015, marking its official entry into the list of the world's top 10 tallest buildings as recorded by the Council on Tall Buildings and Urban Habitat (CTBUH).

It's dynamic form resembles an ancient dragon in motion soaring up towards heaven. Shanghai Tower symbolizes the rise of China.