Another iconic works by OMA although looks a bit conservative when compares to their previous works. Nevertheless, this tower enhance the skyline of Shenzhen.
Showing posts with label OMA. Show all posts
Showing posts with label OMA. Show all posts
Saturday, 29 August 2020
Sunday, 5 July 2015
No More Weird Buildings In China Please
The President of the People's Republic of China, Xi Jinping, has reportedly called for an end to the "weird buildings" being built in China, and particularly in the nation's capital, Beijing. In a two hour speech at a literary symposium in Beijing last
week, Mr Xi expressed his views that art should serve the people and be
morally inspiring, identifying architectural projects such as OMA's CCTV Headquarters as the kind of building that should no longer be constructed in Beijing.
With
China's construction boom being one of the most talked about features
of today's architecture scene - and many a Western practice relying on
their extravagant projects to prop up their studios - the Chinese
leader's comments have the potential to affect the landscape of
architectural practice worldwide. But what is behind these sentiments?
Perhaps the most simple reading of Mr Xi's pronouncement on
architecture is that it is an extension of his mission to crack down on
corruption and extravagance within the Chinese Government, having removed 51 officials from government as of August.
Though high-profile and popular with the international press, CCTV
Headquarters has been criticized for being a number of years late to
complete (it was originally intended to be open for the 2008 Olympics),
and has been nicknamed "Big Pants," by locals thanks to its unusual
shape.
In particular his statement that art should
"inspire minds, warm hearts, cultivate taste and clean up undesirable
work styles" seems to link art with moral purity, and it is this kind of
attention-grabbing extravagance that Mr Xi perhaps wants to avoid,
particularly in state-owned buildings such as CCTV.
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| Zaha Hadid's Galaxy Soho also come under fire for its impact on Beijing. |
Another interpretation, offered by Wolfgang Georg Arlt in Forbes Magazine,
links Xi Jinping's comments to architectural tourism, saying: "Chinese
outbound tourists used to be impressed by futuristic buildings they
encountered in places like Dubai and recently also London,
but with more and more of such projects realised in Beijing... the pull
factor of contemporary architecture for them is diminishing."
Arlt
also notes that the number of foreign tourists visiting Beijing has
steadily declined in recent years, but while he concludes that "maybe
this argument will help to sustain future projects by world-class
architects," it could also have the opposite effect: perhaps Mr Xi
realizes that the draw of "weird architecture" is not strong enough to
sustain China's tourism industry, and therefore not worth the financial
and reputation risks it poses.
However, maybe the strongest interpretation is that Mr Xi's comments on art reflect his tendency towards Chinese nationalism (part of what some people last year rather hastily referred to as Xi Jinping's 'Maoist turn'). The New York Times quotes one section of his speech where
he says that Chinese art should "disseminate contemporary Chinese
values, embody traditional Chinese culture and reflect Chinese people's
aesthetic pursuit." It is not such a stretch to equate his criticisms of
"weird buildings" with either Western architects or even simply a
Western style of design, and his speech has reportedly been met by support on Chinese social media with people saying that "China is not foreigners' test field."
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| Wang Shu's architecture has been praised for his intelligent combination of Chinese and Modernist elements in his buildings. |
Previously it had been thought that Chinese culture was simply not
strong enough to support its building boom without the help of foreign
architects: in early 2012, Mr Xi's predecessor Hu Jintao wrote that "the international culture of the West is strong while we are weak." However, mere months later, the Pritzker Prize was awarded to Wang Shu, the first time it had been awarded to an architect both born and working in China. Furthermore, Wang Shu has been noted for his Critical-Regionalist approach, combining Western modernism with traditional Chinese influences.
Wang Shu is currently being joined by a new generation of Chinese architects such as Ma Yansong of MAD Architects, whose Shanshui City concept is
explicitly inspired by traditional Chinese painting. With this renewed
interest in traditional inspirations for Chinese architecture, perhaps
Mr Xi sees now as the time to take action on Hu Jintao's call to "take
forceful measures to be on guard and respond" to the "ideological
struggle" between Chinese and Western culture.
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| MAD Architects' Shanshui City inspired by Chinese landscape paintings. |
Source: Archdaily
Wednesday, 7 August 2013
MahaNakhon Bangkok
Designed by the celebrity architect Ole Scheeren who used to be partner in OMA and former boyfriend of Hong Kong actress Maggie Cheung, MahaNakhon will be the tallest building in Bangkok once completed. Ole Scheeren is also the man behind the renowned Beijing's CCTV Tower that challenges people conventional perception of tall buildings and revolutionize the way we design skyscraper from then on.
The strategic location of the building makes it a transportation hub with direct linkage to Chognonsi BTS Skytrain station between Silom and Sathom Roads. Some of the other facilities in MahaNakhon includes an urban oasis, public gardens, luxury retails, high rise residences and a five star hotel created by New York's Ian Schrager.
The most unique feature of this building has to be its extraordinary form. The massing of the form is carved into with the excavated portion of the glass curtain wall revealing inner life of the building. Whenever solid is carved out to create void, protrusions are created at the same time. These protrusions become balconies and extra green areas that offer panoramic views of Bangkok city.
The most unique feature of this building has to be its extraordinary form. The massing of the form is carved into with the excavated portion of the glass curtain wall revealing inner life of the building. Whenever solid is carved out to create void, protrusions are created at the same time. These protrusions become balconies and extra green areas that offer panoramic views of Bangkok city.
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